Showing posts with label Kit Pedler. Show all posts
Showing posts with label Kit Pedler. Show all posts

Monday, June 7, 2021

#17 (6.11 - 6.18): The Invasion.

The Cybermen invade London.

8 episodes. Running Time: Approx. 194 minutes. Written by: Derrick Sherwin, Kit Pedler. Directed by: Douglas Camfield. Produced by: Peter Bryant.


THE PLOT:

The TARDIS materializes in 20th century England... only for the Doctor to discover that some key TARDIS circuits have been damaged. He decides to take the circuits to their old friend, Professor Travers. But Travers isn't home, having leased his flat to his friend Professor Watkins (Edward Burnham) and his daughter, model-turned-photographer Isobel (Sally Faulkner).

Professor Watkins works at International Electromatics, headed by Tobias Vaughn (Kevin Stoney).  But the professor hasn't left the I. E. compound in weeks. When the Doctor and Jamie investigate, they become Vaughn's captives and barely escape with the help of the newly-promoted Brigadier Lethbridge-Stewart (Nicholas Courtney), and the newly formed United Nations Intelligence Task Force (UNIT).

The Brigadier is already suspicious of Vaughn. But even he is surprised when the Doctor reports that Vaughn is working with an alien force to conquer. A force all too well-known to the Doctor. The Cybermen!


CHARACTERS:

The Doctor: When he and Jamie first try to see Professor Watkins at I. E., they are greeted by an automated system. This annoys the Doctor to no end, who complains about "stupid machines," before deciding to ignore the computer and go in through a door marked "Authorized Personnel Only." It's a perfect embodiment of the 2nd Doctor's dismissal of rules. Still, this story shows that he's happy enough to work with Establishment figures he respects, such as Lethbridge-Stewart and UNIT.

Jamie: Remains intensely loyal and protective. This sometimes comes at the expense of common sense, such as when he reveals his and the Doctor's position to Vaughn's guards after hearing Zoe scream - thus walking into an obvious trap. He earns Zoe's ire when he declares that he believes men to be superior to women, though his playful tone may indicate that he's doing so to deliberately bait her.

Zoe: Outside of a mid-story lapse when she suddenly becomes an idiot with Isobel (more on that below), both character and actress are in good form. She gets a delightful moment in Episode Two, reprogramming one of Vaughn's computers in such a way that it ends up self-destructing - and doing it all off the top of her head. Later, when UNIT is faced with the impossibility of taking out incoming Cyber-ships with only a handful of missiles, Zoe takes thirty seconds to reprogram the missiles to create a chain reaction, prompting a priceless reaction from one of the soldiers: "Can we keep her, sir? She's much prettier than a computer."

Brigadier Lethbridge-Stewart: Lethbridge-Stewart receives a promotion in his second series appearance, and the rank of Brigadier and the position as head of the United Nations Intelligence Task Force (UNIT) would define his role throughout the franchise. In may ways, this is a Season Seven story one year early. That includes the characterization of the Brigadier, who is consistently competent and quick to adapt to changes in the overall situation. He trusts the Doctor implicitly, and that trust extends to Zoe - as shown when he allows Zoe to recalculate the trajectory of the missiles despite another officer's objections.

Isobel: Together with Zoe, is guilty of two counts of involuntary manslaughter. In a desperate attempt to pad out the episodes... er, get photographic evidence of the Cybermen, the two disregard the Brigadier's instructions. With Jamie in tow, they head to the sewers where the Cybermen are hiding, and manage to get a police officer killed along with one of the soldiers sent to rescue them. At least she gets the photographs! Too bad they're totally useless. Isobel is hardly paralyzed with guilt; by the story's end, she is back to wheedling for the chance to take pictures of the Cybermen. Oh, and yes - We are actually meant to like her.

Tobias Vaughn: Kevin Stoney returns as another Doctor Who villain. As in The Daleks' Master Plan, his performance and sheer screen presence helps anchor an epic-length serial - but Tobias Vaughn is much better-scripted than Mavic Chen was. He's cold and utterly controlled most of the time, almost like a human machine... save for a tendency to erupt in fury when things don't go according to plan. Stoney's rapid turns from unflappable to furious are startlingly effective, while his emotionless exterior makes him the perfect foil to Troughton, who is arguably the warmest and most human of Doctors.

Cybermen: They've been redesigned again, and much for the better. Though I still find the Tenth Planet Cybermen to be creepier, this is by far the best of the various redesigns. These Cybermen are bulkier, and project a solidity that was absent in certain other stories. The helmets just plain look good, and the teardrop shape by the eyes has become iconic in itself.

I'm spending a lot of space on how good they look... because there isn't much else to say about them in this story. They're offscreen for the most part, only receiving three significant appearances across eight episodes: Menacing Zoe and Isobel in the sewers; the justly-famous Episode Six cliffhanger, in which they emerge from hiding to occupy London landmarks; and an effective large-scale action scene in the final episode. They're effective when seen - but this is very much Vaughn's story, with the Cybermen largely acting as his weapon for the bulk of it.


THOUGHTS:

The Invasion represents several firsts for the series. It was the first story on which Terrance Dicks acted as script editor, a role he would hold for the remainder of the Second Doctor's run as well as the entirety of the Third Doctor's. It was the first UNIT story (though I'd argue that The Web of Fear was one in all but name), and with Lethbridge-Stewart and Benton (John Levene) in the cast, it plays very like a template for the Pertwee era.

It is also an important last: The last of what I'd argue were too many Cybermen stories throughout the Second Doctor's era. In just three seasons, the series put out five Cybermen stories - as many as would occur throughout the entire remainder of the Classic Series! They would not appear again until Season 12, and it honestly was time for a break from them.

At least The Invasion sends them out on a far better story than The Wheel in Space. The script has been cleverly divided into what are effectively two 4-parters. The first four episodes focus on infiltrating Vaughn's factory, with the usual capture/escape pattern padding things out as the Doctor uncovers evidence that Vaughn is working with an alien force. The second half turns into an invasion story, with the Cybermen becoming more of a presence. The shift in focus keeps the pace alive.

Douglas Camfield is at the helm, which means that production and visual aspects are well above the series' average and that action sequences are particularly strong. The story also benefits from Don Harper's incidental music, which I'd rank among the best in the entire series.

Not everything is perfect. Padding is evident in the repetitive capture/escape/re-capture formula of the first four episodes, and later with Zoe and Isobel's narratively pointless trip to the sewers. An action scene involving the rescue of Isobel's uncle was scripted, but the production ran out of time for filming - leaving only some dialogue between Vaugh and a hapless henchman to paste over the gap.

Still, The Invasion is a fine story, with a particularly strong production helping to pave the way for the series' next, more Earthbound iteration, while at the same time sending the Cybermen off in style.


Overall Rating: 8/10.

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Sunday, March 7, 2021

#14 (5.35 - 5.40): The Wheel in Space.

The Doctor and Jamie investigate strange occurrences,
with help from new friend Zoe (Wendy Padbury)

6 episodes. Running Time: Approx. 140 minutes. Written by: David Whitaker. Directed by: Tristan de Vere Cole. Produced by: Peter Bryant.


THE PLOT:

The TARDIS' fluid link breaks down (this time without any sneaky sabotage by the Doctor), leaving the Doctor and Jamie stuck in the Silver Carrier, an Earth supply spacecraft. The Carrier is drifting in space, its crew mysteriously absent and its control room sealed off. After the Doctor is injured during a sudden course change, Jamie is left to protect both of them.

The Carrier stops near the Wheel, a space station whose primary function is as a relay point with Earth. After being rescued by the crew, the Doctor and Jamie befriend Dr. Gemma Corwyn (Anne Ridler), the second in command, as well as a young astrophysicist named Zoe (Wendy Padbury). They learn that their arrival is just one of several strange events, that include both unexplained drops in air pressure and an imminent meteor storm that threatens the wheel. Jarvis Bennett (Michael Turner), the Wheel's commander, ignores any suggestion that these incidents could be related - leaving the time travelers and their new allies to investigate on their own.

The events are all part of a plan by the Doctor's old enemy, the Cybermen. But by the time they figure this out, the plot is already well underway. With Jarvis ignoring all evidence, is it already too late to save the Wheel?


CHARACTERS:

The Doctor: Though the Doctor is less dominant than usual, Troughton does get two noteworthy scenes in the final episode. When the Cybermen corner him in the Wheel's power room, he does not flinch as he faces them, calmly observing that he expects they have orders to destroy him - then taking a moment to pump them for information about their plans before springing a trap. At the story's end, when Zoe announces her desire to join him and Jamie, he shows that he's still haunted by Victoria's exit. He wires his mind up to the TARDIS scanner to justify a rerun... but in-universe, to make sure that this time, his new companion will know what she's getting herself in for before she begins traveling.

Jamie: Shows his ingenuity while the Doctor is out of action. First, he manages to send an "SOS" to the Wheel, letting them know that someone is aboard the ship just as Jarvis prepares to destroy it. Later, when he learns that they still plan to destroy the ship, with the TARDIS aboard, he acts quickly to sabotage the Wheel's laser. Though he definitely doesn't bond with Zoe the way he did with Victoria, treating her mostly like an annoying know-it-all, he shows compassion when she expresses her own feelings of uselessness.

Zoe: Wendy Padbury's Zoe is introduced as being much the opposite of Victoria. Her predecessor was intuitive, emotional, and often fearful. Zoe has been trained to look at the world by applying logic to all she sees. She is extremely intelligent, but emotionally cold. The story lays this on a bit thick. At one point, she is upbraided for her calculations about meteorites striking the wheel being correct - even though her alerting the crew to this crisis gives them time to prepare for it. Still, Padbury has a charming screen presence that breaks through the script, which should allow her to come across more strongly in better stories.

Cybermen: The worst 1960s characterization of the Cybermen. First, there's their plan: (1) create a meteor shower that will end up threatening the wheel; (2) take over the Silver Carrier and steer it toward the Wheel; (3) have Cybermats infiltrate the Wheel and destroy the MacGuffin Rods that power the laser; (4) infiltrate the Wheel directly by hiding in a crate of Rods; (5) use the Wheel's laser to stop the meteorites; (6) take over the wheel; and (7) use the Wheel's capabilities to take over Earth. That's a lot of steps, with any number of things that can go wrong along the way. One almost does - Remove the Doctor and Jamie, and Jarvis would have blown up the rocket (with the Cybermen on board) in Episode Two! The Cybermen's motives have also shifted from ensuring their own survival to desiring "the mineral wealth of the Earth," which robs them of much of their original edge.


THOUGHTS:

The Wheel in Space is not particularly well-regarded, and it's easy to see why. There isn't really enough story here for six episodes, even when the episodes are shorter than the norm. The Wheel crew is a pretty uninteresting lot, with none of the guest cast making much of an impression. Zoe's introduction is so heavy-handed that only Wendy Padbury's natural appeal prevents the character from getting off on the wrong foot. Oh, and the Cybermen have rarely been worse-characterized this side of, "We blew them up with love!" That's not even mentioning the limp climax.

For all of its faults, however, I still rather enjoy this story. The first episode, which save for the final few minutes amounts to a Doctor/Jamie two-hander as they investigate the empty rocket, is genuinely mysterious; it's a pity that it ranks among the missing, as it's would certainly benefit from the restoration of the visual element.

Once the action shifts to the Wheel, proceedings become both blander and slower-paced. It's telling that my first viewing of this story was before its audio release, leaving me watching only the existing Episode Three and Episode Six. Even so, I wasn't at all confused watching just those... likely because there's so little narrative drive. When I later listened to the whole thing (switching to the Lost in Time dvd to watch the two existing ones), it was largely a confirmation that I hadn't missed that much. Even so, I still didn't feel at all bored or restless - something that hasn't always been true about stories that are objectively better!

Some of that might be because the Wheel itself is a reasonably interesting setting. I also admit to liking the ensemble feel lent by the Doctor's reduced role. But the whole thing is carried by a sort of amiable feel that's hard to pin down. There's not much tension (the climax is literally Jamie and some guest characters closing a door while another guest character fires a laser). But for all its fault, I can't help but like this story. And even after all these words have been expended, I still can't put my finger on why. It isn't good... but it somehow works for me anyway.


Overall Rating: 6/10.

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Friday, October 16, 2015

#8 (5.1 - 5.4): The Tomb of the Cybermen.

The Doctor is trapped by the Cybermen!

4 episodes Approx. 97 minutes. Written by: Kit Pedler, Gerry Davis. Produced by: Peter Bryant. Directed by: Morris Barry.


THE PLOT

THe TARDIS arrives on the planet Telos just in time for the Doctor to witness an archaeological team uncover the entrance to the Tomb of the Cybermen. Professor Parry (Aubrey Richards), the expedition's leader, explains that they have come to find out why the Cybermen died out. But the Doctor worries that the tomb is a little too accessible, and that the entire edifice is an elaborate trap.

Inside, they discover a control room but no Cybermen. They do find a hatch to an area below, which logicians Eric Klieg (George Pastell) and Kaftan (Shirley Cooklin), who funded the expedition, believe must lead to the actual tomb. With a nudge or two from the Doctor, they are able to open it, and the group makes its way underground.

Where they find the Cybermen waiting in stasis - Dormant, but very much alive. Which is exactly what someone in their ranks was hoping for...


CHARACTERS

The Doctor:
From the moment the Doctor hears the word "Cybermen," he decides he has to stay until he is able to make sure they will not reawaken. He's shrewd in how he goes about this. He doesn't step forward and take charge - Instead, he nudges the egotistical Klieg into figuring out how to turn on the power to the complex, then surreptitiously opens the hatch leading to the tomb. There's also a wonderful scene, a quiet character moment in the second half, in which the Doctor talks to Victoria about her father's death. He tells her that the pain will fade, and talks briefly about his own family and how he can let them sleep in his mind except when he actually wants to remember them.

Victoria: Her first proper story as a companion. Though Victoria's reputation in fan circles is very much that of a "screamer," she does show intelligence. When held at gunpoint in Episode Three, for example, Victoria glances at a dormant Cybermat and screams - distracting her assailant's attention long enough for Capt. Hopper (George Roubicek) to disarm her. Later, when most of the party has been locked in another room, Victoria is able to bluff her captors into believing that it's at least possible that the others may have a Cyber-weapon at their disposal. Deborah Watling is appealing throughout, able to sell that she's a character from a 19th century background even while taking part in this futuristic adventure.

Jamie: Patrick Troughton and Frazer Hines put in some wonderful bits of business that make their interaction special. When first entering the tomb, the Doctor and Jamie catch themselves holding hands and, in mutual surprise, all but throw their hands away from each other. At the start of Episode Two, when the Doctor is testing a control sequence that has just killed one member of the party, he advises that anyone who wishes to leave may. He then immediately adds, "Not you, Jamie," as the Scotsman prepares to make his exit. The result of these throwaway moments is a relationship that feels authentic, which I suspect is why this particular team is so well remembered a good 50 years after the fact.

Cybermen: "We will survive..." The early Cybermen stories work in a way that later ones often didn't, precisely because their goal is as simple as survival. Humanity is simultaneously a threat to their existence and a potential farm for them to create new Cybermen. Their attacks on humanity are motivated by their own urge to survive and reproduce - which ultimately amounts to the same thing. The story pauses to weave the Season Four Cybermen stories together, creating cohesive links between The Tenth Planet, The Moonbase, and this. The result is that, at this point in the series run, the Cybermen have a coherent, cohesive mythology... Though that wouldn't last for much longer!


THOUGHTS

For a long time, The Tomb of the Cybermen was among the many missing stories of the Second Doctor's era. The BBC even prepared an audio release, with narration by Jon Pertwee - a release that was rendered instantly obsolete by the 1991 recovery of a complete copy. Until the 2013 recovery of The Enemy of the World, it was the only complete serial from Season Five; it remains the earliest complete story of Patrick Troughton's era.

Bizarrely, its recovery led to a negative re-evaluation. During the time it was lost, the reputation of its visual element - particularly the scene in which the Cybermen break free of their tombs - was magnified to the point that many (rather unreasonably) expected it to have the production values of a feature film. When it was discovered that the serial had the usual hallmarks of the series' low budget, including a wobbly tomb door and a visible wire on a man meant to be held in mid-air by a Cyberman, some fans griped that being found was the worst thing that could have happened.

Thankfully, that balderdash has long since receded, and most seem to again recognize the story for the classic it is. Sure, it's low-budget. It is also imaginatively-produced and tightly-scripted - One of the Troughton era's highlights, and in my opinion the best Classic Series Cyberman story.

Though certainly exemplifying the "base-under-siege" format so popular in the Troughton era, it also anticipates the Hinchcliffe/Holmes formula. A team of archaeologists and their shady (conveniently foreign-accented) financial backers enter a booby-trapped tomb, only to be preyed upon by monsters... It's the Doctor Who version of The Mummy, and all the better for it.

Holding the Cybermen back until the midpoint of the story proves to be a good choice. The first two episodes build atmosphere and explore the tensions and mixed agendas among the group. Three members of the party die before the Cybermen awaken, two thanks to the various traps within the tomb, and one more thanks to treachery. The Cybermen themselves are viewed by the human villains as tools to be exploited - much the way the various human factions in Power of the Daleks viewed those creatures.  As was true of the Daleks in that story, the Cybermen here view the human villains no differently than the rest of the group, which reinforces how alien they are.

Contained to a briskly-paced four episodes, and peppered with effective suspense and good character bits, The Tomb of the Cybermen is one of the easiest Sixties stories to watch in a single sitting. Sure, its age and budget show - But it remains wonderfully entertaining, and is a story I have no hesitation dubbing a "must-see."


Overall Rating: 8/10.


Previous Story: The Evil of the Daleks
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